Other designers have put a postmodern spin on the classic, rendering it in garish McDonald’s colors (a la Jeremy Scott) or shredding it and turning it inside-out (a la Junya Watanabe). Yet instead of a straightforward timeline showing the progress of trends and silhouettes, “About Time” has a more eclectic approach, showing how fashion — like history — continually repeats itself. All Rights Reserved, This is a BETA experience. In 1977, British designer Zandra Rhodes debuted her torn “punk wedding dress,” adorned with beaded safety pins and ball-chain fringe. An enormous bustle exaggerated the rear, providing ample fodder for envy as well as satire. Do Not Sell My Personal Information. T he annual fashion exhibition at the Metropolitan Museum of Art’s Costume Institute has become a pop-culture touchpoint in recent years, thanks in part to to the Met Gala. The Metropolitan Museum of Art announced that it has postponed its 2020 Costume Exhibition. Observing fashion outside of the museum, as it evolves on the street, can make us attentive to both truths simultaneously. The possibility of reading time in a phenomenon prone to frequent change is not especially new nor very surprising. Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Sally Ingalls, 1932 (2009.300.643a, b). Terms of Use Yet, it also shows that pretty much every single fad is ripe for resurrection. Drawn from the designers’ archive of design swatches, the dress is representative of a pivot toward sustainability in fashion, and the hopeful anticipation of … 45,480, © 2021 NYP Holdings, Inc. All Rights Reserved Well, why not? Queen Alexandra, consort of King Edward VII, was photographed wearing this decorative puff-sleeved silk velvet riding jacket by Morin Blossier in 1902. 345,104, This story has been shared 228,480 times. About Time, a major new Costume Institute exhibit and catalogue marking the Met’s 150th anniversary, asks whether attire might be a clock in its own right. After a months-long delay, the Metropolitan Museum of Art has at last opened its much-anticipated Costume Institute exhibit, About Time: Fashion and Duration. Also, the exhibition coincides with vintage and reverse commerce, or "recommerce," becoming more mainstream in fashion. Finally! Opinions expressed by Forbes Contributors are their own. Far more interesting than the matter of whether fashion can be a clock is a related question: What does the clock of fashion indicate about time? It will now open 29 October 2020. Fashion is entrained to the clock. Image courtesy of The Metropolitan Museum of Art. To look fashionable in 1870, the year that the Metropolitan Museum of Art was founded, a woman had to wear enough fabric to make two ordinary dresses. The bra’s creator, Jean Paul Gaultier, had debuted an even more exaggerated version of the silhouette in his 1984 fall runway collection, featuring corseted crushed-velvet dresses with the cartoonish conical cups inspired by the perky-breasted sweater girls of the 1940s and ‘50s. Sorry, your blog cannot share posts by email. In 2003, Italian designer Roberto Cavalli did an Edwardian frock coat in denim worn with cut-offs, and in 2018 Louis Vuitton director Nicolas Ghesquière showed a series of jacquard-woven silk jackets and waistcoats paired with athletic shorts and sneakers — directly inspired by the historic garments in the Met’s collection. . Setting up a standard timeline with sixty garments shown in chronological order, he interweaves sixty more that resemble those on the timeline aesthetically, but pre- or post-date them chronologically. The 2020 Met Gala may have been canceled due to the coronavirus pandemic, but the exhibition that inspired it is still a go. We've received your submission. After selecting a location and day of visit, you can reserve your exhibition tickets for About Time: Fashion and Duration. This story has been shared 228,480 times. Andrew Bolton discusses the Metropolitan Museum of Art’s 2020 Costume Institute exhibition, “About Time: Fashion and Duration.” The central theme of the exhibition… The leg-o’-mutton style, which extended through much of the 1890s, is shown to recur in a Viktor & Rolf dress from 2001 and a Comme des Garçons ensemble from 2004. About Time: Fashion and Duration will be on view at the Costume Institute from May 7 through September 7, 2020. Dave Benett/Getty Images/The Metropolitan Museum of Art. Your California Privacy Rights As such, About Time covers 150 years of fashion, featuring 125 pieces from 1870 to today, e © 2021 Forbes Media LLC. For the Metropolitan Museum of Art, 2020 will be marked by its 150th anniversary. A conventional clock, beholden to numerical progression based on the action of a literal or metaphorical escapement, is not suited to show durée. The stunning new fashion exhibit at New York's Metropolitan Museum of Art shows an industry constantly looking back in order to renew itself. Watch a preview of the Costume Institute’s 2020 exhibition, About Time: Fashion and Duration. Header photo: Courtesy of the Metropolitan Museum of Art Coco Chanel in her original suit design in 1954; Kristen Stewart and Jacqueline Kennedy, both in Chanel. This year's major annual fashion exhibition, which is linked to the Met Gala, will be devoted to 'time'. The stunning new fashion exhibit at New York's Metropolitan Museum of Art shows an industry constantly looking back in order to renew itself. Elizabeth Hurley in the famous safety-pin Versace dress in 1994 (left) and John Singer Sargent’s “Madame X” from 1883-84. Image courtesy of The Metropolitan Museum of Art. “In essence, the show is a meditation of fashion and temporality,” said curator Andrew Bolton in remarks to the press earlier this week, “drawing out the tensions of change and endurance [as well as] ephemerality and persistence.”, The show is organized chronologically, starting with a bustled “mourning dress” from 1870 and ending with a silk rose-shaped frock by Alexander McQueen designer Sarah Burton from 2019. Nicholas Alan Cope/The Metropolitan Museum of Art; Rodrigo Varela/WireImage. Can the rise and fall of hemlines serve as a kind of pendulum? Depending on what you want to do and see in the Museum, you could have up to three tickets per person (one for entry to the Museum, one for About Time, and one for Making The Met). All five exhibitions were curated by Bolton. 1895; Brooklyn Museum Costume Collection at The ... [+] Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Sally Ingalls, 1932 (2009.300.643a, b). Twenty years later, it was all about sleeves, which grew so voluminous that they were dubbed legs-o’-mutton, beguiling modish women and rousing editorial cartoonists all over again. . (For instance, Viktor & Rolf made their legs-o’-mutton more voluminous than the originals, satirizing the past while also paying tribute to past satire.). The notion that all of time is present all of the time is evoked by Bolton’s asynchronous timeline – the timeline that sets Viktor & Rolf near the beginning and introduces earlier designers such as the visionary Madeleine Vionnet considerably later. Take her signature wool suit, which debuted in 1954, consisting of a boxy cardigan-like jacket and a straight skirt. It’s not just the timeless artifacts that get recycled again and again — the little black dress, the smoking jacket, the tweed skirt suit — but the most outre, ridiculous and dated, too: bulbous bustles, constricting corsets, padded hips, a World War I-era Red Cross uniform copied by designer John Galliano in . What exactly the show will look like is not yet known, the description on … Coco Chanel created “timeless” fashion, which is why nearly a century after her “little black dress,” she’s still being copied. And back in 1949, the American couturier Charles James — known for his classy ballgowns — debuted his “Tulip” dress, featuring a conical bust that looks almost exactly like Gaultier’s later boundary-pushing creation. The Metropolitan Museum of Art opened its latest Costume Institute show Thursday, after multiple delays — and a canceled gala — due to COVID-19. And even if some of these similarities are coincidental, many are the result of deliberate historical referencing. "About Time" will be on display at the Costume Institute at the Metropolitan Museum of Art from October 29, 2020–February 7, 2021. Costume Institute Gallery View, Clock One. He introduced the concept of durée, by which he meant that the past remains present, coexisting with successive moments, enduring in memory. Post was not sent - check your email addresses! Ensemble, Comme des Garçons (Japanese, founded 1969), fall/winter 2004–5; Gift of Comme des Garçons, ... [+] 2020. Called About Time: Fashion and Duration, the spring 2020 exhibition at the Met's Costume Institute will explore the nature of time. "About Time: Fashion … Fashion exhibit at new York Metropolitan Museum of Art in new York Metropolitan Museum of Art in York! By its 150th anniversary dress that seems to float in space and time, the coincides! Technology Fund a continuous flow. ” own history as it progresses, fashion clocks time as a kind of?... 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